First, we're happy to announce that the team has identified and fixed the issue with the YouTube conduit; you can now find and add videos from YouTube to your library and posts. As always, thanks for your patience!
The other news we have today is about a new addition to the Six Apart family: TypePad Micro, a new free level of TypePad that is streamlined for microblogging. We see a new form of blogging emerging that lives between the quick status updates of Twitter and Facebook and the long-form posts of "classic" blogging; TypePad Micro is designed to meet that need. You can read more about TypePad Micro in Chris Alden's post on the Everything TypePad blog.
A lot of the new capabilities we've added to TypePad this year were actually inspired by some of the best things about Vox: favoriting, member profiles, a dashboard to follow other bloggers, and easy ways to post content from other social media sites. But the things that make Vox different from TypePad are still there: Vox has always been -- and still is -- the best place for "friends and family" blogging, where you're in control over who sees what. TypePad, on the other hand, is built for the blogger who wants, no, craves, attention.
Do you have a passion or interest you want to share with people beyond your Vox neighborhood? If so, we'd love it if you tried out TypePad Micro. Maybe you've always wanted to start that obsessive blog that's just about waffle restaurants. Or want a place to share videos of your favorite band (Jonas Brothers, anyone? Anyone? ...). TypePad Micro's great for those topic-specific blogs. Take it for a spin and let us know what you think.
On the Vox front, our designers are working on some cool new themes (coming soon!). We'd also love to hear your thoughts about where we should take Vox in the coming year. What are the key things you'd like to see for Vox? If you've had a chance to use TypePad this year, what are the features there that we should bring over to Vox? And, if you're thinking big thoughts, how could we connect the Vox and TypePad communities in order to bring together bloggers and their shared passions? Your feedback is really important to us, so please leave a comment here, or shoot me a message.
And again, thanks for your patience as we found and fixed the YouTube bug!
~ daisy
Well, the weather outside is frightful and the MOO warehouse staff are getting ready for the Holiday rush. Our trusty elves are enjoying their last silent night before a few weeks of rigorous stocking stuffing. Soon your MOO orders will be walking in the air and climbing down your chimney.
You'll need to make sure you get your orders placed before our cut off dates, as we would not want you to have a blue Christmas. We thought you may want to see some of our packers at work in the MOO grotto, so here are some festive snap shots from our Rhode Island office...
If you're worried about your cards getting stolen by frosty the snowman, then we are offering a London, UK collection special. If you want to collect your order, simply send us your order number via the contact form, quoting your order number and "COLLECTION" in the subject line. We'll then flag your order for collection and give you instructions on how/where to collect your order. This is for a limited time only (until the 16th December), so be sure to get your order in ASAP.
As many of you have noticed, the YouTube Conduit is not working. I am so sorry about this; I know how frustrating it is.
The team is looking into how to get this fixed and I will update you as soon as I hear something. In the meantime, not all is lost... There is a work-around for posting videos.
When you're in the Compose Screen, just click on "embed." Ignore the fact that it says "Widget" before everything because you can definitely use this to embed videos as well. You'll just need to input the embed code from the video, enter a title (if you want) and hit OK.
It might not show up perfectly in your compose screen, but when you hit "Save," your video should appear just the way you wanted it to.
Hopefully this will allow you to keep posting videos while we figure out what's happening on our end.
As always, thanks for your patience.
Pets were few inside the hidden cities, but many people kept caterpillars, and helped nuture them from worm, to
So many animals, and people, had been lost to the change, that a catepillar represented the chance for emergence from the situation. While the change was happening, some species of caterpillars threatened environments and people when the never ending rains, extended from the period of change to longer seasons, created habitats where the creatures thrived. Some over-thrived.
In Liberia, mass breeding of caterpillars, in an exceptionally wet climate, pushed people out of their own homes. The masses of caterpillars devoured plants and food for other wildlife became scarce. Normally, the caterpillars would not all fully develop, but in the extreme damp conditions the creature's multipled, nearly all growing to full adulthood. It became known as the caterpillar crisis of climate change in Liberia, and consideration was given to spraying the country with chemical pesticides to defeat the munching worms. The threat of poisoning the environment made the authorities decide against any pesticide use, and so the people moved away from the caterpillar infested areas, taking shelter in refugee camps.
While Liberia hated the caterpillars, other parts of the world were marveling at the growth of the species, and the
Many people who lived in the hidden cities remembered the seasons of the butterflies with joy, and desired to keep the Monarch caterpillar as pets in their living areas. These pets were hand-fed leaves and grass, and given safe, dark places to build their chrysalis, and time to allow the transformation. When the caterpillar began to break out of its chrysalis, people gathered to watch the butterfly emerge.
When the birght coloured creature spread its wings and flew into the air, the people clapped at the performance.
Welcome to Haiはい。my transmedia journey,
-Lisa
*Flickr photos by:
Caterpillar - Brenda Anderson: http://www.flickr.com/photos/curiouskiwi/
Chrysalis - MsEli: http://www.flickr.com/photos/mseli/
Butterfly - dwain77: http://www.flickr.com/photos/dwain77/
Freelance life can be tough. Long gaps between commissions. Accounts departments who just can't seem to find your invoice. Not to mention the ever-present need to get your work seen by the people who count.
Jonny Wan, a freelance illustrator from Sheffield, knows all about that. A graduate of the Manchester School of Art, he's constantly striving to ensure his unique illustrative style (think abstracted facial expressions, patterns, symmetry and hand-drawn lettering) snags the attention of creative directors everywhere – and he does so via Business Cards and Postcards from MOO.
MOO first caught his eye at his university degree show, where he noticed that all the students' cutest promo materials were produced by the same company – MOO! Then we tempted him with a free Business Card sample, giving him a chance to try our ordering software ("simple, logical and gives the user complete control") and evaluate our print quality and finishing ("very pleasing"). Duly hooked, Jonny ordered a set of Postcards and some Business Cards featuring a range of his work, and is preparing to send them off to art directors as we speak.
As an illustrator, working in a visual medium, presentation is very important to Jonny. "I like to make little promotional packs of my postcards and business cards", he says. "I send them out packaged in self-seal clear bags. It's good to put real thought into how the art director receives your promo materials – it's boring to just whack some cards in an envelope."
Like many creative types, Jonny's happiest when he's working, even between commissions. An example of this is his self-initiated "Can't Afford It" project. Whenever he wants an item of clothing he can't afford, he draws it instead! Eventually to be self-published as a book, working like this helps him improve his work rate, hone his Photoshop and Illustrator skills, and keep his unique style fresh and ever-evolving.
No matter how his style develops, MOO's short print runs means that his promotional materials are always in step with his latest work. "As an illustrator, your style is always changing and improving. The last thing you want is to end up with a thousand cards of the same design. You need to keep existing and future clients up to date with your freshest, latest work, because essentially they will hire you based on what they see on your promo material. It's no good for an art director to commission you only to find that your illustrative style has changed or moved on." He laughs. "After all, you wouldn't be happy buying a Jay-Z CD to find a Metallica disc inside, right?"
When designing his cards, Jonny also took advantage of a new feature that allows users to upload images for both the front and the back of the Business Cards. "Anything that gives you more options allows room for creative control – and it's that kind of flexibility that keeps me coming back to MOO. The ability to upload images for both sides of the Business Cards enables you to make the cards completely unique."
"A business card is usually the first point of contact between a new client and an illustrator, so it's important your card jumps out at people while being straight and upfront with your contact details. The fact that the cards can be individual rather than generic also gives a sense of professionalism – people can be impressed that you've put the effort into designing your own cards. A little effort can go a long way."
Jonny's constantly thinking of new ways to promote his work using MOO products. "I love the Stickers – I can see them being a very unique selling point. They're a little different and unexpected, which is beneficial in an industry where everyone strives to promote themselves in a unique way."
MiniCards appeal to him for the same reason. "MiniCards are great because they get straight to the point and don't take up a lot of space. Art directors get bombarded with samples every morning. They open their mail and have to make snap decisions about what to keep and what to chuck."
"They're more likely to pin a MiniCard onto their noticeboard than, say, a leaflet, because they know it won't take up a lot of space. And if your work's on their noticeboard, they're more likely to bear you in mind when it comes to commissioning. And that's what it's all about!"
Thanks for talking to us Jonny! We look forward to seeing more of your work soon.
Like Jonny's work? He's available for commissions so get in touch, and say hello from us too.
Go forth and fill your libraries with media.
Seriously, thanks to everyone for being so amazing and patient. You are the reason I love Vox.
I was just told that the Amazon Conduit will be fixed by tomorrow. I will post here as soon as I get word that it's back up and running.
I know this has been frustrating and I am sorry there wasn't more I could do to make it less so. I really appreciate your patience though.
Cheers,
After giving you the story behind Perch's MiniCards, we thought we should catch up with photographer, Simon Warren. Also featured on our MiniCards page, he's been taking advantage of the latest features and comparing them with the larger Business Cards he's been using (and loving) for a while. Here's what he had to say:
Simon Warren is one of the UK's top location photographers. He's been using MOO's Business Cards to showcase his outstanding graphic images: bold exteriors, sleek interiors, arresting construction shots and more.
Though happy with the size and scope of the Business Cards, he's recently been experimenting with MiniCards, with positive results.
A hardcore Business Card fan, Simon was initially worried by the slimmed-down dimensions of the MiniCards (about half the size of a full-size business card.)
"At first, I was concerned that the cards would be simply too small to showcase my photos effectively", he explains. "But actually, this can work very well. The cards show snippets of images – almost abstract – giving a hint of information, but (quite literally) not the full picture."
Rather than being a hindrance, this fits well with other design aspects of his brand. "My website works in exactly the same way – visitors are shown an interesting or intriguing section of an image, which they click to see in full. It’s a simple but effective way to get people involved and interacting with my work."
He also likes the impact the MiniCards can have when shown together. "Once you have a whole bunch of cards spread out on the table, the viewer is able to get a better impression of your work than a single image can provide, so that's how I like to show them. Then I let the viewer choose whichever one they want. The fact that they've been involved in the choice often helps them remember your work better than if you simply thrust a card into their hand.
"I often refer to my MOO Business Cards as my ‘mini-portfolio’. My MiniCards are now my mini-mini portfolio!" he laughs. "Sometimes when you're carrying a full set of business cards around in a holder, it can be a little clunky. At a very basic level, they're physically easier to carry around with you. As a photographer, you carry so much equipment with you - that's a big plus."
Simon's also pleased with his MiniCard holder. "It swings open sideways and then you push the cards out with your thumb. It's unusual and I think people like that.
"At networking events so many people are handing out conventional business cards in conventional holders. Sometimes that's what you want, but other times it's good to stand out a little. MiniCards can help you do just that."
Thanks for chatting with us Simon!
Find out more about Simon's work, or check out his portfolio.
As you are probably aware, Royal Mail have scheduled further strikes this week. Please note this only affects "Standard" delivery to UK addresses, not Express.
Local delivery services and the sorting office at Royal Mail HQ will be closed this Thursday, Friday and Saturday. We want to make sure that your order doesn't get caught in the backlog and we have some alternatives for you to think about when placing your order.
Express
At checkout, you can choose our Express service. This is a guaranteed, signed for service, which is totally unaffected by the strikes. UK Express starts at £10 and is definitely value for money. You will be able to track the delivery online and the service is 1-3 days guaranteed (once shipped).
Collection
During the strike action, we are offering a special collection service. If you are based locally to our Clerkenwell warehouse in London, please send us your order number via the contact form, quoting COLLECTION in the subject line. We'll then flag your order for collection and give you instructions on how/where to collect your order. This is for a limited time only, so be sure to get your order in ASAP!
In the meantime, fingers crossed for a speedy resolution to these disputes.
Erik Foss worked seven nights a week, splitting his time between shifts at a few bars in the city, as well as getting his
While bartending paid the bills, Erik was really in New York City to be an artist. Whenever he had time he painted, made collages and drew pictures of all the feelings that he had to absorb night after night while working at bars. Often, he heard a lot of pain and anger, especially with the pressure of the change happening. People were hiding out inside the many underground bars around the city, where the darkly lit spaces protected them from the burning sunshine that was destroying the environment everywhere on earth. They brought troubles with them to to the underground bars, and often Erik was the only person around that would hear some of the stories.
They told Erik about family and friends who got sick from the change, unable to tolerate the rising temperatures, a lot of people were developing heat illnesses. If they were young, it was easier to fight off the intensity of the fever and the constant feeling of thirst and being dizzy. If they were old, death was common.
Beyond the illnesses Erik would hear about, there was always the usual complications of living life. Lost jobs. Lost lovers. Lost dreams. For centuries bartenders had been listening to the stories of heart break and hard times, and Erik often felt like a sponge for all the pain that floated around the city and a magnet for it to land at on a bar stool in front of him.
Erik had a way of turning things onto a more upbeat funny side and with a rock 'n roll style, he'd make the most depressing person forget about the troubles and have a good time. A few special cocktails helped pick up the mood and Erik would just take the pain away with him and put some of it into his artwork when it got overwhelming. Furious strokes of paint to canvas emotionally healed him, and he'd then offer some of the results back to customers for sale.
They'd buy back their own pain sometimes, and hang it up on a wall in their home.
Haiはい。is my transmedia journey. Cut 'n paste "Haiはい。" into Google to find pieces of this story,
-Lisa
*Photo of Erik Foss by Supreme Mangement.
*Artwork by Erik Foss.
